2/2021
Editor´s Introduction
Steven Mansbach
Methodological Frameworks for a Defiant Region
Articles
Matthew Rampley
Writing on Modernism in Central Europe: Method, Value and the Pragmatics of Scholarship
Polemics
Beáta Hock
Is there Life after Canonical Certainties?
Marie Rakušanová
Writing on the History of Modern Art: From Particularism to a New Universalism
Milena Bartlová
From which Vantage Points Does an Art Historian Look? The History of Central European Art and the Postcolonial Impulse
Magdalena Radomska
What Isn´t Orthodox Horizontal Art History
Jeremy Howard
MINCE Words: For and Against Writing on Modernism IN Central Europe
Raino Isto
Towards a Weakened History of Modernisms
Claire Farago
A Very Different Kind of National Art History. Looking to the Future from the Past
Timothy O. Benson
Writing About and Exhibiting Central European Modernism in North America Then and Now
Éva Forgács
Notes on Matthew Rampley’s ‚‘Writing on Modernism in Central Europe: Method, Value and the Pragmatics of Scholarship’
Reviews
Tomáš Pospiszyl
Richard Biegel – Roman Prahl – Jakub Bachtík (edd.), Století Ústavu pro dějiny umění na Filozofické fakultě Univerzity Karlovy
Ivan Gerát
Kateřina Kubínová – Klára Benešovská (edd.), Imago. Imagines. Výtvarné dílo a proměny jeho funkcí ve středověku v českých zemích
Thomas Rainer
Petr Voit, Kostbare Bucheinbände der Stiftsbibliothek Strahov in Prag
Tadeáš Kadlec
Marcela Vondráčková (ed.), Norbert Grund. Velký mistr malých formátů
Naomi Hume
Marta Filipová, Modernity, History, and Politics in Czech Art
Martin Horáček
Jan Michl, Co Bauhaus dal a co vzal