2/2021
Úvod editora
Steven Mansbach
Methodological Frameworks for a Defiant Region
pp. 143–144
| summary |Články
Matthew Rampley
Networks, Horizons, Centres and Hierarchies: On the Challenges of Writing on Modernism in Central Europe
pp. 145–162
| summary | PDF |Polemika
Beáta Hock
Is there Life after Canonical Certainties?
pp. 163–167
| summary |Marie Rakušanová
Writing on the History of Modern Art: From Particularism to a New Universalism
pp. 168–174
| summary |Milena Bartlová
From which Vantage Points does an Art Historian Look? The History of Central European Art and the Post-colonial Impulse
pp. 175–182
| summary |Magdalena Radomska
What Isn’t Orthodox Horizontal Art History
pp. 183–185
| summary |Jeremy Howard
MINCE Words: For and Against Writing on Modernism IN Central Europe
pp. 186–192
| summary |Raino Isto
Towards a Weakened History of Modernisms
pp. 193–195
| summary |Claire Farago
A Very Different Kind of National Art History: Looking to the Future from the Past
pp. 196–199
| summary |Timothy O. Benson
Writing About and Exhibiting Central European Modernism in North America Then and Now
pp. 200–205
| summary |Éva Forgács
Notes on Matthew Rampley’s ‘Networks, Horizons, Centres and Hierarchies: On the Challenges of Writing on Modernism in Central Europe’
pp. 206–211
| summary |Recenze
Tomáš Pospiszyl
Richard Biegel – Roman Prahl – Jakub Bachtík (edd.), Století Ústavu pro dějiny umění na Filozofické fakultě Univerzity Karlovy
pp. 216–218
| summary |Ivan Gerát
Kateřina Kubínová – Klára Benešovská (edd.), Imago. Imagines. Výtvarné dílo a proměny jeho funkcí ve středověku v českých zemích
pp. 218–221
| summary |Thomas Rainer
Petr Voit, Kostbare Bucheinbände der Stiftsbibliothek Strahov in Prag
pp. 222–224
| summary |Tadeáš Kadlec
Marcela Vondráčková (ed.), Norbert Grund. Velký mistr malých formátů
pp. 225–227
| summary |Naomi Hume
Marta Filipová, Modernity, History, and Politics in Czech Art
pp. 227–230
| summary |Martin Horáček
Jan Michl, Co Bauhaus dal a co vzal
pp. 230–233
| summary |