Barbora Kundračíková – Fedora Parkmann

Photo: Science: Art History. Mutual Interactions in the Era of a New Universalism

p. 259 - 264

Martin Jürgens

‘A crowd of mercurial globules’: Microscopic Examination as a Precursor to Etching Daguerreotypes in 1839 and 1840

p. 265 - 278

Kelley Wilder

Photographs, Science, and the Expanded Notebook

p. 279 - 289

Anaïs Mauuarin

Photographers in the Museum: French Anthropology and the Aesthetics of Images (1930–1950)

p. 290 - 302

Magdalena Vukovic – Andrea Fischer

The Camera as a Tool in Geography: Parallels between Friedrich Simony’s Pictures of the Dachstein and the Use of Photographic Images in Geography Today

p. 303 - 311

Nadiia Bernard Kovalchuk

Scientific Imagery Re-Coded: The Appropriation of Scientific Photography Aesthetics in The Late Soviet Non-Official ‘Creative’ Photography – The Case of Oleg Maliovany

p. 312 - 324

Alena Pomajzlová

Eva Bendová — Ondřej Váša, Od balonu ke kosmickému vědomí. Aviatické eseje o české letecké duši

p. 325 - 327

Susanna Pasquali

Taťána Petrasová (ed.), Pietro Nobile (1776–1854). Neoclassicism between Technique and Beauty

p. 327 - 328

Lenka Bydžovská

Petr Wittlich, Rodin

p. 329 - 331

Vendula Hnídková

Jasna Galjer, The Foreign Designer. Antoinette Krasnik and the Wiener Moderne

p. 332 - 333

Karolína Fabelová

Catherine Krahmer, Julius Meier-Graefe: Ein Leben für die Kunst

p. 334 - 336

Marie Foltýnová

Michaela Čadilová — Zuzana Křenková — Vladislava Říhová (edd.), Sochy a města Morava. Výtvarné umění

p. 336 - 339

Annotations

p. 340 - 343

Česká resumé / English summaries

p. 344 - 349