Ivan Foletti — Ondřej Jakubec

Introduction: A Long Middle Ages or an Eternal Phoenix?

p. 199 - 212

Piotr Krasny

‘Ancient’ Paintings versus ‘Italian’ Paintings: Some Contributions to Research on the Role of Archaising Tendencies in Catholic Religious Painting in the Polish-Lithuanian Commonwealth at the End of the Sixteenth and in the Seventeenth Century

p. 213 - 227

Kateřina Horníčková

The Emergence of the Narrative: Historia sacra and the “Cultification” of Medieval Works among the Transalpine Jesuits

p. 228 - 242

Martin Deutsch — Ondřej Jakubec — Jan Malý

The past revived: Anachronic and historicising principles of Jesuit visual culture in early modern Moravia

p. 243 - 264

Michał Kurzej

Revival, Continuation or Inertia? Early Modern Church Architecture and Medieval Tradition

p. 265 - 278

Ulrich Fürst

The Abbey Church in Kladruby and the Cathedral Church in Regensburg — Modes of Early Modern Renewal in a Comparative Perspective

p. 279 - 291

Adrien Palladino — Jan Galeta

An Inherited Mirage: Tracing Theory, Architecture, and Ideologies of the ‘NeoByzantine’ Style between France and Central Europe (1820s–1890s)

p. 292 - 308

Ivan Foletti — Margarita Khakhanova

Visualizing Russian Imperialism: Neo-medieval Churches in the 19th-Century South Caucasus

p. 309 - 319

Jana Černocká

The Riverside Church in New York: God, the Middle Ages and the Capital

p. 320 - 332

Michaela Ottová

Monika Jakubek-Raczkowska (ed.), Rzeźba kamienna czeskiego stylu pięknego z lat 1380–1400 na terenie Państwa Krzyżackiego w Prusach. Materiał — technika — styl — funkcja

p. 333 - 336

Werner Telesko

Kateřina Horníčková — Michal Šroněk (eds), Jesuit Art and Czech Lands, 1556–1729: Missionizing through the Arts

p. 337 - 338

Petra Eckhard

Milan Němeček — Jindřich Vybíral, František Schmoranz mladší/Jr (1845–1892). Architekt, designer a učitel / The Architect, Designer and Teacher

p. 339 - 341

Annotations

p. 342 - 345

Česká resumé / English summaries

p. 346 - 353