Steven Mansbach

Methodological Frameworks for a Defiant Region

p. 143 - 144

Matthew Rampley

Networks, Horizons, Centres and Hierarchies: On the Challenges of Writing on Modernism in Central Europe

p. 145 - 162

Beáta Hock

Is there Life after Canonical Certainties?

p. 163 - 167

Marie Rakušanová

Writing on the History of Modern Art: From Particularism to a New Universalism

p. 168 - 174

Milena Bartlová

From which Vantage Points does an Art Historian Look? The History of Central European Art and the Post-colonial Impulse

p. 175 - 182

Magdalena Radomska

What Isn’t Orthodox Horizontal Art History

p. 183 - 185

Jeremy Howard

MINCE Words: For and Against Writing on Modernism IN Central Europe

p. 186 - 192

Raino Isto

Towards a Weakened History of Modernisms

p. 193 - 195

Claire Farago

A Very Different Kind of National Art History: Looking to the Future from the Past

p. 196 - 199

Timothy O. Benson

Writing About and Exhibiting Central European Modernism in North America Then and Now

p. 200 - 205

Éva Forgács

Notes on Matthew Rampley’s ‘Networks, Horizons, Centres and Hierarchies: On the Challenges of Writing on Modernism in Central Europe’

p. 206 - 211

Tomáš Pospiszyl

Richard Biegel – Roman Prahl – Jakub Bachtík (edd.), Století Ústavu pro dějiny umění na Filozofické fakultě Univerzity Karlovy

p. 216 - 218

Ivan Gerát

Kateřina Kubínová – Klára Benešovská (edd.), Imago. Imagines. Výtvarné dílo a proměny jeho funkcí ve středověku v českých zemích

p. 218 - 221

Thomas Rainer

Petr Voit, Kostbare Bucheinbände der Stiftsbibliothek Strahov in Prag

p. 222 - 224

Tadeáš Kadlec

Marcela Vondráčková (ed.), Norbert Grund. Velký mistr malých formátů

p. 225 - 227

Naomi Hume

Marta Filipová, Modernity, History, and Politics in Czech Art

p. 227 - 230

Martin Horáček

Jan Michl, Co Bauhaus dal a co vzal

p. 230 - 233

Anotace

Česká resumé / English Summaries